东方cardtd猫车(中国银行汇款去加拿大TD银行要什么资料？)

一、中国银行汇款去加拿大TD银行要什么资料？

个人客户在中国银行办理跨境汇款的方法：一、电子银行渠道：中国银行为方便客户提供的由国内向境外账户汇款的功能（向境外他行汇款、向境外中行汇款）。服务时间：支持7×24小时跨境业务提交（部分地区支持7×24小时交易处理），发报日为起息日。您需为我行个人理财版或贵宾版网银/手机客户，且持有ETOKEN或USBKEY（不支持单手机交易码客户）。操作步骤：您可登录网上银行，通过“转账汇款-外币跨境汇款”功能进行操作，也可登录手机银行，通过“首页-跨境汇款”或“首页-跨境金融（专区）-跨境汇款”功能进行操作。温馨提示:1. 跨境汇款的转出账户为已关联电子银行的借记卡（ATM主账户为活期）或活期一本通账户。2.如您提交跨境汇款业务后，想办理退回此笔汇款，请咨询您的转出账户的开户网点。3.您通过电子银行渠道（含网上银行及手机银行）办理外币跨境汇款服务时，系统会检查客户当日在我行全渠道办理的外币跨境汇款交易总额是否超过等值5万美元。4. “向境外中行汇款”功能可简化收款行信息填写，通过下拉菜单选择“收款银行所在国家（地区）”，即可自动回显收款银行名称、收款银行SWIFT代码等收款银行信息，无需客户手工输入。同时，系统会根据您选择的收款行，引导您办理可支持币种的跨境交易。二、柜台渠道：1、汇款人本人携带身份证、存折等到银行柜台填写“境外汇款申请书”后，到柜台办理相关手续。跨境汇出汇款业务允许委托他人代办，但应提供汇款人和代办人双方的身份证件原件和委托书，委托书由我行随传票留存；未成年人办理跨境汇出汇款，须由监护人代为办理。 2、办理电汇需填写电汇申请书，必须以英文填写，在办理业务前，您需要准确取得如下汇款信息：汇款货币及金额、汇款人名称及地址（包括邮编）、汇款人电话、收款人常驻国家、收款人姓名及地址（包括邮编）、收款人开户银行名称（包括分支机构名称）及地址、收款人开户银行SWIFT代码、收款人账号、收款银行所在国家统一的清算号码（如有，请事先询问收款人开户银行，如下面表格中的样例。）等。

二、td和sd什么区别？

td和sd区别是

td指TestDirector, （简称TD）它是Mercury Interactive 公司推出的基于WEB浏览器环境下的测试管理工具。通过TD的流程控制可以规范软件企业的测试流程、改善测试质量、减轻测试人员的负担、提高工作效率。

sd，Secure Digital Memory Card，即安全数码卡，新一代多媒体储存卡，高速，安全；它在MMC的基础上发展而来，大小和MMC卡差不多，比MMC卡厚了0.7mm，并且比MMC多了2pin作为数据线。

三、迅雷文件夹在手机哪里？

演示版本: 迅雷 V 7.37.1.7834 (机型：IQOO Z3)

查找手机迅雷下载文件的文件夹，需要以下几步：

1.打开“迅雷”，在右上角找到“三个点”；

2.点击进入“三个点”，选择“下载设置”，找到“选择储存路径”；

演示版本: 迅雷 V 7.37.1.7834 (机型：IQOO Z3)

查找手机迅雷下载文件的文件夹，需要以下几步：

1.打开“迅雷”，在右上角找到“三个点”；

2.点击进入“三个点”，选择“下载设置”，找到“选择储存路径”；

四、如何学素描？

素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。狭义上专指用于学习美术技巧、探索造型规律、培养专业习惯的绘画训练过程。

如何选择工具

素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。不同的作品则需要不同的工具语言来表述，才能更加体现画面的效果，作品才能成功。

干笔适宜作清晰的线条，水笔宜于表现平面;精美的笔触可用毛笔挥洒，而广阔的田野则可用铅笔或粉笔去勾勒。炭笔是两者都可兼用的。对工具的理解是完成好一幅作品的首要条件。

笔

铅笔

美术铅笔的铅芯有不同等级的软硬区别，硬的以"H"为代表，如：1H、2H、3H、4H等，前边数字越大，硬度越强，即色度越淡；软的以"B"为代表，如：1B、2B、3B、4B、5B、6B等，数字越大软度越强，色度越黑;学生用铅笔一般是HB形，软硬适中。对于初学绘画的可从HB到4B中选择三种类型就可以了。

推荐

辉柏嘉、施德楼、三菱、中华、马可、凯兰帝、老人头、得韵、马利、马培德

炭笔

炭笔的用法和铅笔相似，炭笔的色泽深黑，有较强的表现能力，是画素描的理想工具，用于画人物肖像尤佳，但画重了很难擦掉。

推荐

1、马利、MARCO/马可、库尔贝、高尔乐、中华、奥文、得韵Derwent、老人头、卢浮宫、德福龙

木炭条

木炭条是用树枝烧制而成，色泽较黑，质地松散，附着力较差，画完成后需喷固定液，否则极易掉色破坏效果。

推荐

米娅（MIYA）、马利（Marie's）、蒙玛特（Mont Marte）、青竹画材（CHINJOO）、尼奥尼（NYONI）、海特（Hite）、高尔乐（Kuelox）、卫庄、老人头（lotory）、睿识

炭精棒

炭精棒常见的有黑色和赭石色两种，质地较木炭条硬，附着力较强，可用可不用固定液。

推荐

海特索斯

纸

画素描通常在专用的素描纸上进行，选用素描纸时要注意纸质坚实、平整、耐磨、纹理细腻、不毛不皱、易于修改，如素描纸、铅画纸。太粗、太薄、太光滑的纸都不适合铅笔画素描。初学者使用的纸张大小以8开或4开为宜，16开大小的铜版纸和复印纸，则适合用钢笔、圆珠笔画素描。

素描纸的表面有明显的纹理，这样铅笔上色才会比较容易，另外，背面的纹理也不一样，背面的纹理要比正面纹理弱，所以应该在纸张的正面绘画。

辅助工具

画架

用来放置素描纸的架子。

画夹

宽边的大铁夹可用在画板上固定纸张。

胶带

胶带也是不错的固定纸张的工具，因为胶带宽度均匀，画完后将胶带去除会留下一条好看的白边

宽笔刷

用起来超级方便的清扫工具，画面上的橡皮屑较多的时候，用它清除就不会弄花画了。

铅笔延长器

铅笔用短了之后都会很苦恼，用的时候不方便，扔了又觉得可惜。将笔的一头放入延长器中，画笔瞬间就变长了。是非常不错的节省工具。

绘画常识

想要学素描，必须要了解一些知识，具体的如下几个方面：

一点透视

最常用到的就是一点透视，因为一点透视只有一个消失点（灭点）所以也叫：平行透视。

凡大小相等的物体愈远，其形愈小，以至于最后消失于一点，这点称为消失点。根据消失点的不同位置，能观察到的面也不同。当消失点在物体外侧时，可看到2个面，在物体上方时能看到3个面，在物体内侧时只能看到一个，如果物体正面是空的，则看到的是物体的内部结构。

不论画什么物体都可以归纳、概括在一个立方体或者多个立方体中，只要有一个面是与画面平行的，就可以利用一点透视（平行透视）来作画。一点透视合适画小的物体，透视变化不大，但是画的时候一定要体现出来。

站在宽广的平地上向前看，远方天地的交界线，称为地平线，地平线是处理透视图形的重要依据。平视时地平线和视平线重合，地平线就是视平线；俯视时，地平线在视平线的上方。

位置在画者右方的景物，看见它的左侧。位置在画者左方的景物，看见它的右侧。

凡在视平线以上的景物，愈远在画纸上的位置愈低。视平线以下的景物，愈远在画纸上的位置愈高。

有了以上这些绘画透视知识如果掌握并且运用到绘画中就不会在画中犯常识性的错误，而且构图会合理，符合视觉欣赏的美感。

两点透视

物体有一组垂直线与画面平行，其他两组线均与画面成一定角度，而每组有一个消失点，共有两个消失点，称为两点透视。

两点透视（成交透视）

两点透视图画面效果比较自由、活泼，能比较真实地反映空间，可以反映建筑物的正侧两面，容易表现出体积感。另外，两点透视加上较强的明暗对比，物体体感会更强。

认识明暗

明暗产生的原因：有光源(不论是自然光源、人工光源)照射，才会产生明暗；光源直射处（向光）是明亮部，照射不到之处（背光）是黑暗部，反射光所形成的是中间灰色部分。没有光，我们的眼睛将看不到任何东西。

利用铅笔表现明暗的方法:

铅笔直立地以尖端来画时，画出来的线较明了而坚实；铅笔斜侧起来以尖端的腹部来画时，笔触及线条都比较模糊而柔弱，笔触的方向要整理才不致混乱。

铅笔画使用橡皮擦注意事项:

初学画一笔不满意时，就马上用橡皮擦去了，第二次画得不对时又再擦去，这是最不好的习惯。一则容易伤害画纸使纸张留下疤痕，再则画时就越画越无把握了，所以应极力避免。

当第一笔画不对时，尽可再画上第二笔，如此画时就有一个标准，容易改正，等浓淡明暗一切都画好之后，再把不用之处的铅笔线，用橡皮轻轻擦去，这样整幅画面就清楚可爱多了。

画面上的线痕通常到最后都会被暗的部份遮没了，把露出的部份擦去较为省力。同时不用的线痕，往往无形中成为主体的衬托物，所以不擦去无害于画面，有时反而收到无形的效果，这是我们不可不注意的地方。

空间感

在绘画中依照几何透视和空间透视的原理，描绘出物体之间的远近、层次、穿插等关系，使之在平面的绘画上传达出有深度的立体的空间感觉。

前面的物体不要画到后面去了也不要把后面的物体画到前面了，合理的安排他们的位置。让整个画面有一个前大后小，前实后虚。上实下虛的空间效果。总之就是画面的层次感明确。

入门

画素描之前要充分做好各种线条的练习，还要做线条的由浅入深、由深到浅的成组练习。经过构图、轮廓、大形深入刻画到整体调整等不同的作画环节，这个作画的过程体现从整体到局部到整体的观察过程。如果没有这种正确的作画程序，就不能保证画面的准确、深入与完整。

素描步骤

画前要观察研究物体的基本形状，看它的受光方向，结构造型，形成的立体效果，然后用直线勾出它的大体轮廓，再依照光源，确定物体的受光（淡面）、侧光（灰面）、遮光（深面）三大部分。最后在这些面与面之间加上衔接的层次，使它自然、圆润起来，直到表现出质感为止。 素描画好后要对描绘的物体进行统筹和完善加工。

https://www.bilibili.com/video/BV1mE41167Vm/?p=1&vd_source=6b26da26630111503906a454dabeb61d这个视频讲的是受光的技巧，比较浅显易懂，有助于进一步理解。

构图

构图是每一个学习绘画的人所必须要掌握的一项基本能力，从美得感受出发，让观赏者感受到美、舒服。各部份的一种配置法，依照经过设计的格式，一致的比例，或重复的体系去安排。一般情况下在绘画中构图讲究天小地大、左右均衡；各物体大小适中，整体完整，不可过小，亦不可过大。

五种方法

1、三角形构图，素描静物中最常用到的。

三角形构图是最常见的和最稳定的构图形式，静物分成三组放在三个顶点上。此类构图画面稳定、主体突出、层次明确、错落有致，适合静物数量较少的组合。

三角形的三条边是由不同方向的直线合拢而成，而不同的线条组成不同形式的三角形，产生不同的趋势和变化。如果你坐在静物正面中间位置，可能会更多采用三角形构图。

2、C形构图

“C”形构图，画面动感程度优于其他形式的构图。

这种构图方式使画面具有流动性，更容易表现较大空问的静物组合。“C”形有三个点，主体物往往在中间点的位置.前面的点往往是第一次要物体的摆放位置，最后面的点帮助你加强画而空间层次的推移。

3、S形构图

"S”具有曲线的优点，优美而富有活力和韵味，所以“S“形构图给人一种美的享受，而且画面显得生动、活泼。读者的视线随着"S”形向纵深移动，可有力地表现其场景的空间感和深度感。在 "S”形构图中，通常会缩短 "S”的上部，拉长 "S”的下部，以形成“上紧下松”的构图关系。

4、圆形构图

圆形构图就是让静物在画面中围成一个圆圈。圆形构图在视觉上给人以旋转、运动和收缩的审美效果。

当圆形被拉长时，就会变成椭圆形。椭圆形构图大都采用宽大于高的横幅形式，它不仅有静态效果，也会产生动态效果，同时还具有较为明显的整体感。

5、水平式构图

水平式构图的物体不能放在画面正中，应当处于一个偏上或者偏下的位置。水平式构图纵向上的空间层次较少，为了让画面丰富，各个物体要在形状、大小、高矮颜色等因素上形成对比，使画面安定、平和，可以增强画面的稳定感。同时还要安排好位置，形成前后的空间层次。

文字讲解不能很直观地展现，可配合视频讲解，进一步理解怎么构图https://www.bilibili.com/video/BV14x411R75w/?spm_id_from=333.337.search-card.all.click&vd_source=6b26da26630111503906a454dabeb61d

轮廓

素描轮廓线是指物体外部和内部形状对线条，描述前进或后退的形状之变化方面的一条断续线或连续线。也指物体对形，没有轮廓线就没有"形” 。

一般来说轮廓包括外轮廓和内轮廓，两者相互依存，就是说外轮廓画错了，内轮廓也必然跟着错，内轮廓错了也会影响外轮廓的准确。在实践中存在的问题是容易把二者分开来观察，分开来画，分开来检查，必须两者结合起来观察并结合起来画才对。要知道轮廓绝非指简单的物体的外框，要内外兼顾方可画准。

轮廓就是形状，画画的第一步是画形状。形状图对了，就顺利了。越画越难受。勾勒轮廓的暗部可以简单处理，勾勒轮廓的同时可以详细画明面。由于形状的透视变化，尤其是轮廓，一分钟宽度等于几英寸宽度，因为边缘是立体形状。当一个同样宽度的面转向后方时，面的长度会越来越窄，直至消失。

如果外轮廓和内轮廓的基本比例和位置不正确，包含所有细节的形状也会是错误的。所以大纲的确定要严格、严格、细致。 严谨谨慎不是要求你谨小慎微，而是要求你胆大心细。只有大胆细致的书写，勾勒出轮廓，才能知道这幅画的对错。我们要敢于肯定，也要敢于否定和纠正错误。

要想画出正确的轮廓，必须对物体的形象有正确的认识和观察。观察轮廓也是专业训练不可缺少的阶段。一种不仔细观察研究对象，就无法在反复修正的过程中提高识别能力，也无法培养敏锐的视力，理解简单形式的复杂性。

进一步学习可以观看视频讲解，可巩固一些知识点https://www.bilibili.com/video/BV1MT4y1R7ZT/?spm_id_from=333.337.search-card.all.click&vd_source=6b26da26630111503906a454dabeb61d

排线

排线是素描最基本的语言元素，在素描中丰富的色调变化是经过许多次的线条叠加而形成的，这其中线条的走向与角度尤其需要注意。画好素描排线就要有一个正确的握笔姿势。

正确的握笔姿势，可以分为两种：持棒式和握笔式

持棒式：

用拇指、食指和中指，三指拿笔与手掌下，如上图，中指起到辅助作用。用拇指左右摆动，在画面形成规则的接近平行的一排线。在用持棒式方法的时候，笔和画面大约在35度角左右就差不多，手和手腕不要接触画面，如果难掌握，可以用小指做支撑点，也可以用手腕自然的上下画出线条。

握笔式：

这种方法就是平时的写字姿势，如上图，这种的握笔方法可以用在面积小的暗面，或者在单体塑造的时候，这种方法用的很多，不像持棒式是在面积大，握笔式很容易掌握，就像写字一样画线条。

若干组排线最好不要沿同一方向展开，因为沿同一方向或缺乏方向变化的十字形(夹直角)都将导致画面出现板滞和类似平涂的光赋效果。

用一组组的线排开，颜色深浅不同，表现出明暗关系。当我们画苹果时，在背光处铺出一组调子，就是画的暗面。

线只是用来表现明暗变化，以此来塑造物体体积，表现空间的一种手段。无论怎么排线，只要画出效果就可以，不拘泥于各种形式。各种线的画法会产生不同的效果，所以在画不同的画时我们可以用不同的排线方法。

苹果的画法视频已经讲了很多，感兴趣可以看看https://www.bilibili.com/video/BV1ct411Q7RE/?spm_id_from=333.337.search-card.all.click&vd_source=6b26da26630111503906a454dabeb61d

控制明暗的逐渐变化以创造实体形式的错觉效果，使物体有三度空间的特质。在深面与灰面上先铺上一片均匀的线条，使受光面暂时空出，这样就是用大块大面来表现物体，然后将各个块面中细部，也同样依照受光、侧光、遮光分成小块、小面来处理。还要注意小块、小面的明暗，使它们服从大面的统一调子，而大面又必须服从于整体。https://www.bilibili.com/video/BV1Zh41147Dk/?spm_id_from=333.337.search-card.all.click&vd_source=6b26da26630111503906a454dabeb61d这个视频讲的是五种线条的画法，实践与理论相结合。

深度学习

速写

速写一般不拘泥于局部的形似，而常以形写神，表达方式简练，对专业创作、设计草图和快速表现都有积极的意义。速写的高度提炼与时间较长、较深入地练习是相辅相成互相促进的，速写画得多，在复杂的素描写生开始阶段也会更快地把握构图和造型。

以素描作画相对的时间为依据，短至数分钟长则半小时左右都可算是速写，因速写的基本特征是简练而快速地写生，因此是画者的第一印象。

对结构理解的深入扎实的素描基本功，在速写中也会体现出来。经常大量的速写训练，可以最有效地培养敏锐的观察力和艺术的概括能力，以及提高快速高效的表现技能。

速写是一种非常便捷的素描方式，其常见题材有风景速写、人物速写、动物速写等。

构图

构图的重要性，大家都知道，单个动作的构图比较简单，原则上宁上勿下。动作朝左，构图偏右即可。双人组合要注意两个动作的主次对比和相互谐调，首先比例要一致，站立的动作和坐着的动作一样高是不行的。场景组合难度较大，透视是最需要注意的，前大后小的原理一定牢记。

人物

人体躯干在衣服的包裹下，无论是厚衣服还是薄衣服，都是紧贴人体的躯干形体。

从衣领开始描绘，形体外轮廓与运动所产生的褶皱相结合刻画。注意海条线条的粗细、深浅、长短变化。

紧接上一步，调整画面的素描关系，可以上一些调子来拉开画面的关系，注意调子的轻重。

注意构图，比例，动态块的侧锋勾画出对象的大体形块。起形要概括，快速，不要在意那么多细节。

可以先把头部深入出来，然后再推出全身。但是要注意五官要画得精致准确，做到一气呵成，不然容易影响后面。

较常用的步骤：五官虚带，定出位置和大小，快速把整个人物画出，抓住大的框架形状和此较明显的穿插关系。先深入五官,手脚与其他最后深入。优点：即使画面随时停下也可以保持画面完整。不会有没有画完的感觉。难点：要整体观察把握，对于穿插比较理解。

坐姿一般选在正侧和四分之三角度比较容易表现，要注意人物的整体动态走势与整个人的比例关系，不要把上短和把腿画的过长。

快速勾出整个人的框架形（如头、胸腔、胯部、四肢，手脚）要肯定整体，可以略带穿插关系，不需要画多。时刻整体地去观察，不能陷入局部。

完善细节：画出头手脚具体形象,并增加灰层次，同时调整衣纹关系，加入裁剪线等装饰。

深入画面：用侧锋带出灰面，增加胸腔，盆腔,四肢的体积感。调整画面主次关系,注意前后胳膊,腿的强弱关系。

默写

默写是脱离了写生对象，完全凭着自己的记忆和理解来把握画面的，在素描的学习中适当地配合默写训练，有助于增强视觉形象的记忆能力，同时又可以训练对画面图形的创造性思维和表现能力，有利于加深写生中对素描知识的理解。其实默写和速写也有着密切的关系，在速写中不可能看一眼画一笔，很多是靠对写生对象的理解和记忆来完成的。

掌握头部解剖

在没有模特或具体的作画对象时，画者只能通过记忆或平时头像写生的经验来完成对头像的默写。内外部形体结构的把握能力，以及对素描技法的合理运用和表现能力。在平时的训练中要着重理解头部骨骼的构造、熟悉头骨各部位的名称及正确位置，做到没有参照对象也熊熟练正确地画出头部各部位的位實及解剖关系。

头像写生训练

平时要积累大量的人物头像写生的作画经验，在人物头像写生训练中，要有针对性地选择写生对象。如选择考试中经常出现的男青年或女青年模特进行写生训练，也适当选择一些老年模特写生，有备无患。

临摹加强记忆

临摹是学习头像写生的最好办法，也是提高素描头像造型能力的有效途径之一。通过临摹，学习他人的经验和技法，真切地体会画者的感受和意图，领会作品的精神所在。这样既节省时间又事半功倍。临摹还能提高眼睛的准确观察力及眼与手的配合能力。

静物作画技巧

素描所表达的是形体与空间不外乎黑、白、灰三字，一幅素描起码应该具备三个方面的成功：一是形体结构准确，二是黑、白、灰大层次分明，三是中心焦点突出。

中心焦点是有视觉习惯形成的，所谓焦点，在客观上应该是在结构中最有特征、又最能展示形体与空间部位的。常位于画幅前景接近中心的部位，是中心也是重心。画素描就应有点偏心，如果平均用力不仅破坏了整体感，也违背了视觉的真实。

轮廓线（包括一些局部轮廓线）只是物体的某些面在转移时被缩小了形象，用轮廓线来认识世界不应是初习素描者的课题，而先要学习用立体的观念来研究世界。

这条线的表现力是不容忽视的，因为物体表面有丰富的起伏向纵深转折时又与空间组成各种关系，它时浓时淡，宽窄虚实，变化无穷，不单单只是一条“线”。

第一是结构，第二才是光，黑白则是它的附属物。大家要学会借助黑白来认识形体结构，但有时黑白也会歪曲形体结构的原来面貌。

画素描就是找区别，大区别就是“大关系”，凡是大关系都具有整体性的分量，它容纳并制约着所有局部，因而它是最重要的。小区别就是“小关系”，就是指处于同一色调中的轻微差异。相对于整体来说，它们只能被称之为“局部”。它们以一定的比例或层次关系组织起来并充实着整体。

没有局部，“整体”便是空的，而如果没有整体的制约，“局部”就成为散乱无序，所以它们是相辅相成辨证统一的。

结构的透视变形色调的黑白相称，对边线的虚实处理，三者共同担负着表现空间与体积的任务。

线和线条技法

素描的要素是线，但是线在实质上却是不存在的，它只代表物体、颜色和平面的边界，用来作为物体的幻觉表现。直到近代，线才被人们认为是形式的自发要素，并且独立于被描绘的物体之外。用线条来组成物体的形象，并且描绘于平面之上，藉由线条形式引起观者的联想。

例如两条线相交所构成的角形，可以被认为是某平面的边界；另外加上第三条线可以在画面上造成立体感。弧形的线条可以象征拱顶，交会聚集的线条可表现深度。人们可以从线条的变化当中，得到可以领会的形象。

用线条区分立体与平面，至于色彩明暗是为了加强和厘清整体与部分的关系。运用线条的开始，消失和中断来画出边界，并且形成平面，也可使色彩至边界而上。

线条的粗细能表现物体的变化，甚至光和影也可用线条的笔触变化表现出来，还需要平面技法的辅助。平面技法在使用炭粉笔时，在明暗对照上可用擦笔法。素描也可用多色画笔作为基本材料，用来加强素描效果以及素描的艺术性。

素描的要素是线，但是线在实质上却是不存在的，它只代表物体、颜色和平面的边界，用来作为物体的幻觉表现。直到近代，线才被人们认为是形式的自发要素，并且独立于被描绘的物体之外。

透过线条手段，单纯的轮廓勾勒可以发展成精致的素描，这个视频讲的比较清楚https://haokan.baidu.com/v?pd=wisenatural&vid=2187580955371434233

用线条来组成物体的形象

两条线相交所构成的角形，可以被认为是某平面的边界；另外加上第三条线可以在画面上造成立体感。弧形的线条可以象征拱顶，交会聚集的线条可表现深度。透过线条的手段，单纯的轮廓勾勒可以发展成精致的素描。

用线条区分立体与平面

在素描中可以用线条区分立体与平面，至于色彩明暗是为了加强和分清整体与部分的关系。运用线条的开始，消失和中断来画出边界，并且形成平面，也可使色彩至边界而上。线条的粗细能表现物体的变化，甚至光和影也可用线条的笔触变化表现出来。

平面技法的辅助

素描的线条技法还需要平面技法的辅助。平面技法在使用炭粉笔时，在明暗对照上可用擦笔法。

毛笔画法的使用

更重要的是使用毛笔画法，因为毛笔能发挥笔触的宽度和笔调的强度并且能增加空间感和立体感。

艺术性的加强

素描也可用多色画笔作为基本材料，用来加强素描效果以及素描的艺术性。

明暗

明暗交界线是素描中灰面与暗面的交界，虽然名字是明暗交界“线”，但是它是由“面”组成的，由于光线以及静物本身形体的变化，明暗交界线也会有非常丰富的变化。

有一些静物因为形体会有很多明暗交界线，所以我们找到这些明暗交界线之后统一暗部，然后这些明暗交界线的色调也要做一个区分，靠近光源的颜色稍微要亮一些。

结合视频讲解可以明白明暗的运用手法https://www.bilibili.com/video/BV14m4y1978u/?spm_id_from=333.337.search-card.all.click&vd_source=6b26da26630111503906a454dabeb61d

推荐书籍

《素描风暴》

《素描的诀窍》

《像艺术家一样思考》

《伯里曼人体结构绘画教学》

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素描画好后要对描绘的物体进行统筹和完善加工。","id":""}],"text":"","id":"MaiqdQuiYoeUskxYHufcdbZTnYd"},{"type":"paragraph","children":[{"type":"external_link","attrs":{"url":"https://www.bilibili.com/video/BV1mE41167Vm/?p=1\u0026vd_source=6b26da26630111503906a454dabeb61d"},"children":[{"type":"text","text":"https://www.bilibili.com/video/BV1mE41167Vm/?p=1\u0026vd_source=6b26da26630111503906a454dabeb61d","id":""}],"text":"","id":""},{"type":"text","text":"这个视频讲的是受光的技巧，比较浅显易懂","id":""},{"type":"text","text":"，有助于进一步理解","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"E0AYdaEMyoWMYkxKg47c0EGfnKf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"构图","id":""}],"text":"","id":"KqkCdc2Eeom44ux8ffacUnfLnjf"},{"type":"paragraph","children":[{"type":"text","text":"构图是每一个学习绘画的人所必须要掌握的一项基本能力，从美得感受出发，让观赏者感受到美、舒服。各部份的一种配置法，依照经过设计的格式，一致的比例，或重复的体系去安排。一般情况下在绘画中构图讲究天小地大、左右均衡；各物体大小适中，整体完整，不可过小，亦不可过大。","id":""}],"text":"","id":"Z4gWdaAAsooCycxwhyXcKwO0nxh"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"五种方法","id":""}],"text":"","id":"UWuodeo6Co2eGUxigRGczcwYnSb"},{"type":"paragraph","children":[{"type":"text","text":"1、三角形构图，素描静物中最常用到的。","id":""}],"text":"","id":"RGcYdUiG2oyk0wx0wHKcKUtzn79"},,"attrs":{"height":410,"note":[{"type":"text","text":"构图","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/59023b58506d4e79bc03cc213714f659","width":596},"text":"","id":"NMoOdQSWwooQoAxcZ1UcnHninnh"},{"type":"paragraph","children":[{"type":"text","text":"三角形构图是最常见的和最稳定的构图形式，静物分成三组放在三个顶点上。此类构图画面稳定、主体突出、层次明确、错落有致，适合静物数量较少的组合。","id":""}],"text":"","id":"OGcId2OAwoYu8qxsp9ecygdmnUb"},{"type":"paragraph","children":[{"type":"text","text":"三角形的三条边是由不同方向的直线合拢而成，而不同的线条组成不同形式的三角形，产生不同的趋势和变化。如果你坐在静物正面中间位置，可能会更多采用三角形构图。","id":""}],"text":"","id":"NQCAdyw6Uo0WAuxi08dcR5Lwnud"},{"type":"paragraph","children":[{"type":"text","text":"2、C形构图","id":""}],"text":"","id":"KCgqdQUEKowoG6xkZDjcP5nLnrh"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"Z0eYdgiQKoYcC0xafb3cJm96ney"},,"attrs":{"height":646,"note":[{"type":"text","text":"构图","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/6f207066382a401cafb725e32afcef67","width":498},"text":"","id":"U00CdcikSoMKy2xGqgFcCVEmnGg"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"I24qdCkQyogIOoxhQdLcsTuynop"},{"type":"paragraph","children":[{"type":"text","text":"“C”形构图，画面动感程度优于其他形式的构图。","id":""}],"text":"","id":"PKMCdcKwAo2Uy0xoPiuc2wN9nvc"},{"type":"paragraph","children":[{"type":"text","text":"这种构图方式使画面具有流动性，更容易表现较大空问的静物组合。“C”形有三个点，主体物往往在中间点的位置.前面的点往往是第一次要物体的摆放位置，最后面的点帮助你加强画而空间层次的推移。","id":""}],"text":"","id":"Y6CadiM2aoQ0KuxgtEbcwLsqnAh"},{"type":"paragraph","children":[{"type":"text","text":"3、S形构图","id":""}],"text":"","id":"GeImd4uKAoIckux6FyuclZQnnvc"},,"attrs":{"height":638,"note":[{"type":"text","text":"构图","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/7c1b7736397048a3b5f9bdc9b4d43115","width":499},"text":"","id":"NqO8dsOmAowmgoxegsbcfxP1nxc"},{"type":"paragraph","children":[{"type":"text","text":"\"S”具有曲线的优点，优美而富有活力和韵味，所以“S“形构图给人一种美的享受，而且画面显得生动、活泼。读者的视线随着\"S”形向纵深移动，可有力地表现其场景的空间感和深度感。在 \"S”形构图中，通常会缩短 \"S”的上部，拉长 \"S”的下部，以形成“上紧下松”的构图关系。","id":""}],"text":"","id":"RUkadCasGoOs8axIhteci8eAnce"},{"type":"paragraph","children":[{"type":"text","text":"4、圆形构图","id":""}],"text":"","id":"RmuudOkMAoIO6Yxq1RDcDC6An7R"},,"attrs":{"height":420,"note":[{"type":"text","text":"构图","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/9b27a2fd424240fab4fa56aede4c6bfb","width":600},"text":"","id":"P0iIdMCWkoe66GxyCItcmCc1nNb"},{"type":"paragraph","children":[{"type":"text","text":"圆形构图就是让静物在画面中围成一个圆圈。圆形构图在视觉上给人以旋转、运动和收缩的审美效果。","id":""}],"text":"","id":"T4QQdy2u4oSCioxEXlycSSBunMc"},{"type":"paragraph","children":[{"type":"text","text":"当圆形被拉长时，就会变成椭圆形。椭圆形构图大都采用宽大于高的横幅形式，它不仅有静态效果，也会产生动态效果，同时还具有较为明显的整体感。","id":""}],"text":"","id":"UyWedCQ4moOmGOxQnZ9cGXA4nPz"},{"type":"paragraph","children":[{"type":"text","text":"5、水平式构图","id":""}],"text":"","id":"ZOsId8k2mosOwwxekVacO4wvnS2"},,"attrs":{"height":435,"note":[{"type":"text","text":"构图","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c135d605279c488ebc6f2f360cc0d4bc","width":595},"text":"","id":"Cc6cdkq4QoEs0CxQh98cIsI1noe"},{"type":"paragraph","children":[{"type":"text","text":"水平式构图的物体不能放在画面正中，应当处于一个偏上或者偏下的位置。水平式构图纵向上的空间层次较少，为了让画面丰富，各个物体要在形状、大小、高矮颜色等因素上形成对比，使画面安定、平和，可以增强画面的稳定感。同时还要安排好位置，形成前后的空间层次。","id":""}],"text":"","id":"M664dyokgogOQAxcbMbcuf1on7f"},{"type":"paragraph","children":[{"type":"text","text":"文字讲解不能很直观地展现，可配合","id":""},{"type":"text","text":"视频讲解","id":""},{"type":"text","text":"，进一步理解","id":""},{"type":"text","text":"怎么构图","id":""},{"type":"external_link","attrs":{"url":"https://www.bilibili.com/video/BV14x411R75w/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d"},"children":[{"type":"text","text":"https://www.bilibili.com/video/BV14x411R75w/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d","id":""}],"text":"","id":""},{"type":"text","text":" ","id":""}],"text":"","id":"WOSKdA6YgoAWeqx0u9zcj6P6nvb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"轮廓","id":""}],"text":"","id":"QSMOdAue6o0ao4x2ZYPcTgufnAh"},{"type":"paragraph","children":[{"type":"text","text":"素描轮廓线是指物体外部和内部形状对线条，描述前进或后退的形状之变化方面的一条断续线或连续线。也指物体对形，没有轮廓线就没有\"形” 。","id":""}],"text":"","id":"GaMMdWaQOoaWUmxY1m8cjrwlngf"},{"type":"paragraph","children":[{"type":"text","text":"一般来说轮廓包括外轮廓和内轮廓，两者相互依存，就是说外轮廓画错了，内轮廓也必然跟着错，内轮廓错了也会影响外轮廓的准确。在实践中存在的问题是容易把二者分开来观察，分开来画，分开来检查，必须两者结合起来观察并结合起来画才对。要知道轮廓绝非指简单的物体的外框，要内外兼顾方可画准。","id":""}],"text":"","id":"EiGwdiwsEocCqixkTHKchaNZnMc"},{"type":"paragraph","children":[{"type":"text","text":"轮廓就是形状，画画的第一步是画形状。形状图对了，就顺利了。越画越难受。勾勒轮廓的暗部可以简单处理，勾勒轮廓的同时可以详细画明面。由于形状的透视变化，尤其是轮廓，一分钟宽度等于几英寸宽度，因为边缘是立体形状。当一个同样宽度的面转向后方时，面的长度会越来越窄，直至消失。","id":""}],"text":"","id":"UyyEd6wumoosE6x2b2Yca6finDb"},{"type":"paragraph","children":[{"type":"text","text":"如果外轮廓和内轮廓的基本比例和位置不正确，包含所有细节的形状也会是错误的。所以大纲的确定要严格、严格、细致。 严谨谨慎不是要求你谨小慎微，而是要求你胆大心细。只有大胆细致的书写，勾勒出轮廓，才能知道这幅画的对错。我们要敢于肯定，也要敢于否定和纠正错误。","id":""}],"text":"","id":"GuGYdkcE0oEeasxSGDHcdlyinPd"},{"type":"paragraph","children":[{"type":"text","text":"要想画出正确的轮廓，必须对物体的形象有正确的认识和观察。观察轮廓也是专业训练不可缺少的阶段。一种不仔细观察研究对象，就无法在反复修正的过程中提高识别能力，也无法培养敏锐的视力，理解简单形式的复杂性。","id":""}],"text":"","id":"FQqWdIUgyocQqAx2igIc4QRMnab"},{"type":"paragraph","children":[{"type":"text","text":"进一步学习可以观看视频讲解，可巩固一些知识点","id":""},{"type":"external_link","attrs":{"url":"https://www.bilibili.com/video/BV1MT4y1R7ZT/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d"},"children":[{"type":"text","text":"https://www.bilibili.com/video/BV1MT4y1R7ZT/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d","id":""}],"text":"","id":""}],"text":"","id":"D0oEduSUSo2sGcxUcuncdjYGncb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"排线","id":""}],"text":"","id":"XEqOdgooKo4aMixIxtHctn6fnJd"},{"type":"paragraph","children":[{"type":"text","text":"排线是素描最基本的语言元素，在素描中丰富的色调变化是经过许多次的线条叠加而形成的，这其中线条的走向与角度尤其需要注意。画好素描排线就要有一个正确的握笔姿势。","id":""}],"text":"","id":"QksEdiSaOoa48sxi4kncZNOnn7c"},{"type":"paragraph","children":[{"type":"text","text":"正确的握笔姿势，可以分为两种：持棒式和握笔式","id":""}],"text":"","id":"BICGdSS0MoayEExgpYocXhRGn6e"},{"type":"paragraph","children":[{"type":"text","text":"持棒式：","id":""}],"text":"","id":"P2ysd4oyGo0gmwxw1d6cgTcEnHd"},,"attrs":{"height":325,"note":[{"type":"text","text":"排线","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/18b939712e6f4d15821d1a3d973c0f3f","width":485},"text":"","id":"AMUgdy2GcoEmAcxSkW5cZ3t9nHf"},{"type":"paragraph","children":[{"type":"text","text":"用拇指、食指和中指，三指拿笔与手掌下，如上图，中指起到辅助作用。用拇指左右摆动，在画面形成规则的接近平行的一排线。在用持棒式方法的时候，笔和画面大约在35度角左右就差不多，手和手腕不要接触画面，如果难掌握，可以用小指做支撑点，也可以用手腕自然的上下画出线条。","id":""}],"text":"","id":"JKUOdU0uSosoC4x3ZvrcmVuXnL9"},{"type":"paragraph","children":[{"type":"text","text":"握笔式：","id":""}],"text":"","id":"VoMYd0WAEo6u4ixELITcLwZCn9b"},,"attrs":{"height":326,"note":[{"type":"text","text":"排线","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c7e7934451774ccca552f5048dc831c3","width":481},"text":"","id":"AiCmdeWeOou8m0xu22KcoLr2nDf"},{"type":"paragraph","children":[{"type":"text","text":"这种方法就是平时的写字姿势，如上图，这种的握笔方法可以用在面积小的暗面，或者在单体塑造的时候，这种方法用的很多，不像持棒式是在面积大，握笔式很容易掌握，就像写字一样画线条。","id":""}],"text":"","id":"Ba4gd8KasowcckxWSCkcrLpJnHd"},{"type":"paragraph","children":[{"type":"text","text":"若干组排线最好不要沿同一方向展开，因为沿同一方向或缺乏方向变化的十字形(夹直角)都将导致画面出现板滞和类似平涂的光赋效果。","id":""}],"text":"","id":"RscId2q0moEwyCxA9mccFrionNd"},,"attrs":{"height":335,"note":[{"type":"text","text":"排线","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/62c26cd40c5c4d918f04a668701ebd78","width":364},"text":"","id":"HMsydweK8oiqimx6SBScDmhgnJg"},{"type":"paragraph","children":[{"type":"text","text":"用一组组的线排开，颜色深浅不同，表现出明暗关系。当我们画苹果时，在背光处铺出一组调子，就是画的暗面。","id":""}],"text":"","id":"McUyd0EGYo2aSgx0IB3ccrTrnlb"},,"attrs":{"height":358,"note":[{"type":"text","text":"排线","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/9a6ca78e89c94efd91feec5560af482d","width":358},"text":"","id":"OweIdgI0qoQA8Cx6GXgc6U0VnNx"},{"type":"paragraph","children":[{"type":"text","text":"线只是用来表现明暗变化，以此来塑造物体体积，表现空间的一种手段。无论怎么排线，只要画出效果就可以，不拘泥于各种形式。各种线的画法会产生不同的效果，所以在画不同的画时我们可以用不同的排线方法。","id":""}],"text":"","id":"HU8Id2464oYKAExEl2ocSiMtnPh"},,"attrs":{"height":335,"note":[{"type":"text","text":"排线","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/0cfff57312b241e9a9bddf315b417fa8","width":364},"text":"","id":"RuiSd28g8o28QgxfHOUcDiSEnvX"},{"type":"paragraph","children":[{"type":"text","text":"苹果的画法视频已经讲了很多，感兴趣可以看看","id":""},{"type":"external_link","attrs":{"url":"https://www.bilibili.com/video/BV1ct411Q7RE/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d"},"children":[{"type":"text","text":"https://www.bilibili.com/video/BV1ct411Q7RE/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d","id":""}],"text":"","id":""}],"text":"","id":"GOEYdYwweoo4gexy40fcvhUanre"},,"attrs":{"height":722,"note":[{"type":"text","text":"排线","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/408fd90c2b514bef9dc9528d10fc9efa","width":607},"text":"","id":"Bq2gdsqS8oE8iYxMJqZcBks4nCd"},{"type":"paragraph","children":[{"type":"text","text":"控制明暗的逐渐变化以创造实体形式的错觉效果，使物体有三度空间的特质。","id":""},{"type":"text","text":"在深面与灰面上先铺上一片均匀的线条，使受光面暂时空出，这样就是用大块大面来表现物体，然后将各个块面中细部，也同样依照受光、侧光、遮光分成小块、小面来处理。还要注意小块、小面的明暗，使它们服从大面的统一调子，而大面又必须服从于整体。","id":""},{"type":"external_link","attrs":{"url":"https://www.bilibili.com/video/BV1Zh41147Dk/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d"},"children":[{"type":"text","text":"https://www.bilibili.com/video/BV1Zh41147Dk/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d","id":""}],"text":"","id":""},{"type":"text","text":"这个视频讲的是五种线条的画法，实践与理论相结合。","id":""}],"text":"","id":"ZeI8dC4OwoM6AGx0QITcXwPMnje"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"深度学习","id":""}],"text":"","id":"NAIgdM0A4oUeIyx6u7WcDWUqnBh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"速写","id":""}],"text":"","id":"NQ8SdGeaqoOasIxUP3XcaC7BnFh"},{"type":"paragraph","children":[{"type":"text","text":"速写一般不拘泥于局部的形似，而常以形写神，表达方式简练，对专业创作、设计草图和快速表现都有积极的意义。速写的高度提炼与时间较长、较深入地练习是相辅相成互相促进的，速写画得多，在复杂的素描写生开始阶段也会更快地把握构图和造型。","id":""}],"text":"","id":"CCEEdiOyooaCa8xYjEFcK4pMnnh"},{"type":"paragraph","children":[{"type":"text","text":"以素描作画相对的时间为依据，短至数分钟长则半小时左右都可算是速写，因速写的基本特征是简练而快速地写生，因此是画者的第一印象。","id":""}],"text":"","id":"HQ6sdKeKCoQ0WwxAFXpc0W3DnVc"},{"type":"paragraph","children":[{"type":"text","text":"对结构理解的深入扎实的素描基本功，在速写中也会体现出来。经常大量的速写训练，可以最有效地培养敏锐的观察力和艺术的概括能力，以及提高快速高效的表现技能。","id":""}],"text":"","id":"XmGqdUMQsogqK0xyqIbc0r3Qnjd"},{"type":"paragraph","children":[{"type":"text","text":"速写是一种非常便捷的素描方式，其常见题材有风景速写、人物速写、动物速写等。","id":""}],"text":"","id":"Fs6gdeCemoA0ggxktB2coZkOnHf"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"构图","id":""}],"text":"","id":"Uqgyd8o2Ioki84xkXqdcDkOsnvd"},{"type":"paragraph","children":[{"type":"text","text":"构图的重要性，大家都知道，单个动作的构图比较简单，原则上宁上勿下。动作朝左，构图偏右即可。双人组合要注意两个动作的主次对比和相互谐调，首先比例要一致，站立的动作和坐着的动作一样高是不行的。场景组合难度较大，透视是最需要注意的，前大后小的原理一定牢记。","id":""}],"text":"","id":"NmScdQmyQomwoMxSWuxc3XddnTb"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"人物","id":""}],"text":"","id":"F40Ad8AQmoyqqexy8SccGWasnig"},{"type":"paragraph","children":[{"type":"text","text":"人体躯干在衣服的包裹下，无论是厚衣服还是薄衣服，都是紧贴人体的躯干形体。","id":""}],"text":"","id":"IcOqduksAoGsktxnd8acZeYEnpT"},{"type":"paragraph","children":[{"type":"text","text":"从衣领开始描绘，形体外轮廓与运动所产生的褶皱相结合刻画。注意海条线条的粗细、深浅、长短变化。","id":""}],"text":"","id":"LYAidwMakoYue2xs5hucy5ahnab"},{"type":"paragraph","children":[{"type":"text","text":"紧接上一步，调整画面的素描关系，可以上一些调子来拉开画面的关系，注意调子的轻重。","id":""}],"text":"","id":"V88Yd2OKwoSkUQxoXtUclgUVn2c"},{"type":"paragraph","children":[{"type":"text","text":"注意构图，比例，动态块的侧锋勾画出对象的大体形块。起形要概括，快速，不要在意那么多细节。","id":""}],"text":"","id":"HEcKdgI4oo2ckYx2k05c8AhKnuW"},{"type":"paragraph","children":[{"type":"text","text":"可以先把头部深入出来，然后再推出全身。但是要注意五官要画得精致准确，做到一气呵成，不然容易影响后面。","id":""}],"text":"","id":"DgIydME68o6s8KxEsG5cs6JLnab"},{"type":"paragraph","children":[{"type":"text","text":"较常用的步骤：五官虚带，定出位置和大小，快速把整个人物画出，抓住大的框架形状和此较明显的穿插关系。先深入五官,手脚与其他最后深入。优点：即使画面随时停下也可以保持画面完整。不会有没有画完的感觉。难点：要整体观察把握，对于穿插比较理解。","id":""}],"text":"","id":"OU46dMaaIo8AcYx849Rclh8Enec"},{"type":"paragraph","children":[{"type":"text","text":"坐姿一般选在正侧和四分之三角度比较容易表现，要注意人物的整体动态走势与整个人的比例关系，不要把上短和把腿画的过长。","id":""}],"text":"","id":"FOwadiEuaoioQgxFq9rck23Knfy"},{"type":"paragraph","children":[{"type":"text","text":"快速勾出整个人的框架形（如头、胸腔、胯部、四肢，手脚）要肯定整体，可以略带穿插关系，不需要画多。时刻整体地去观察，不能陷入局部。","id":""}],"text":"","id":"WCiCd8gKso4c2QxyIDbc3ghXnag"},{"type":"paragraph","children":[{"type":"text","text":"完善细节：画出头手脚具体形象,并增加灰层次，同时调整衣纹关系，加入裁剪线等装饰。","id":""}],"text":"","id":"TeOudA8AUoYmQ0xcv6UcfK25nYg"},{"type":"paragraph","children":[{"type":"text","text":"深入画面：用侧锋带出灰面，增加胸腔，盆腔,四肢的体积感。调整画面主次关系,注意前后胳膊,腿的强弱关系。","id":""}],"text":"","id":"Hie4dGEgyoOsw6xoXK4cYXU4nMc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"默写","id":""}],"text":"","id":"BMAcd00W4oyWgEx4olVc2aE7nib"},{"type":"paragraph","children":[{"type":"text","text":"默写是脱离了写生对象，完全凭着自己的记忆和理解来把握画面的，在素描的学习中适当地配合默写训练，有助于增强视觉形象的记忆能力，同时又可以训练对画面图形的创造性思维和表现能力，有利于加深写生中对素描知识的理解。其实默写和速写也有着密切的关系，在速写中不可能看一眼画一笔，很多是靠对写生对象的理解和记忆来完成的。","id":""}],"text":"","id":"I2YsdsEwKo4ECGxkfmocl5wgn2e"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":" 掌握头部解剖","id":""}],"text":"","id":"Ayqkde26AoKkgqx4KSfc10hanEd"},{"type":"paragraph","children":[{"type":"text","text":"在没有模特或具体的作画对象时，画者只能通过记忆或平时头像写生的经验来完成对头像的默写。内外部形体结构的把握能力，以及对素描技法的合理运用和表现能力。在平时的训练中要着重理解头部骨骼的构造、熟悉头骨各部位的名称及正确位置，做到没有参照对象也熊熟练正确地画出头部各部位的位實及解剖关系。","id":""}],"text":"","id":"LoIsdwq0uoGEmSxqmmlcqe0NnNf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"头像写生训练","id":""}],"text":"","id":"R6Wydmk4woqeGuxAzsFcn0UcnXd"},{"type":"paragraph","children":[{"type":"text","text":"平时要积累大量的人物头像写生的作画经验，在人物头像写生训练中，要有针对性地选择写生对象。如选择考试中经常出现的男青年或女青年模特进行写生训练，也适当选择一些老年模特写生，有备无患。","id":""}],"text":"","id":"DIu0dQoUuoa8wIxoFKKcz910n0g"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"临摹加强记忆","id":""}],"text":"","id":"Zac8d0Aw0o2M0gxmWzkc6sxnnXc"},{"type":"paragraph","children":[{"type":"text","text":"临摹是学习头像写生的最好办法，也是提高素描头像造型能力的有效途径之一。通过临摹，学习他人的经验和技法，真切地体会画者的感受和意图，领会作品的精神所在。这样既节省时间又事半功倍。临摹还能提高眼睛的准确观察力及眼与手的配合能力。","id":""}],"text":"","id":"Humadoem6oq0uWxg3eIc8CKvnNd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"静物作画技巧","id":""}],"text":"","id":"J2eydGeyooWoimx8tCec2a22n8d"},{"type":"paragraph","children":[{"type":"text","text":"素描所表达的是形体与空间不外乎黑、白、灰三字，一幅素描起码应该具备三个方面的成功：一是形体结构准确，二是黑、白、灰大层次分明，三是中心焦点突出。","id":""}],"text":"","id":"R84od4yemoOsAuxqUcacjcDjnwc"},,"attrs":{"height":643,"note":[{"type":"text","text":"静物作画技巧","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/e694013254a1481bb1202c98eabc435f","width":491},"text":"","id":"E4KqdMWocouuKExv1TxcUq6Dnin"},{"type":"paragraph","children":[{"type":"text","text":"中心焦点是有视觉习惯形成的，所谓焦点，在客观上应该是在结构中最有特征、又最能展示形体与空间部位的。常位于画幅前景接近中心的部位，是中心也是重心。画素描就应有点偏心，如果平均用力不仅破坏了整体感，也违背了视觉的真实。","id":""}],"text":"","id":"Ym6CdmUmGosmo0xQjQecM348nFh"},{"type":"paragraph","children":[{"type":"text","text":"轮廓线（包括一些局部轮廓线）只是物体的某些面在转移时被缩小了形象，用轮廓线来认识世界不应是初习素描者的课题，而先要学习用立体的观念来研究世界。","id":""}],"text":"","id":"Z0aSdweoEoCWkKxgdWMcAjOFnDh"},{"type":"paragraph","children":[{"type":"text","text":"这条线的表现力是不容忽视的，因为物体表面有丰富的起伏向纵深转折时又与空间组成各种关系，它时浓时淡，宽窄虚实，变化无穷，不单单只是一条“线”。","id":""}],"text":"","id":"WI4sd8YQkoe6qMxGyKCcVfKTnFe"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"OWGkdc8oComOO0xk7X6c1sg7nBe"},{"type":"paragraph","children":[{"type":"text","text":"第一是结构，第二才是光，黑白则是它的附属物。大家要学会借助黑白来认识形体结构，但有时黑白也会歪曲形体结构的原来面貌。","id":""}],"text":"","id":"XAswdEe6coMGmaxOYROcNHGEnGe"},,"attrs":{"height":719,"note":[{"type":"text","text":"静物作画技巧","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/0bfad00f0c4d460384ba3c648967a8e5","width":552},"text":"","id":"DYC0diG0qowW4WxQWUDcZqQencx"},{"type":"paragraph","children":[{"type":"text","text":"画素描就是找区别，大区别就是“大关系”，凡是大关系都具有整体性的分量，它容纳并制约着所有局部，因而它是最重要的。小区别就是“小关系”，就是指处于同一色调中的轻微差异。相对于整体来说，它们只能被称之为“局部”。它们以一定的比例或层次关系组织起来并充实着整体。","id":""}],"text":"","id":"J8MEdyYa6oWQgMxyAIDctUlYnkb"},{"type":"paragraph","children":[{"type":"text","text":"没有局部，“整体”便是空的，而如果没有整体的制约，“局部”就成为散乱无序，所以它们是相辅相成辨证统一的。","id":""}],"text":"","id":"RkgmdmcuWoWSSQxmkVKcUuRUn4b"},{"type":"paragraph","children":[{"type":"text","text":"结构的透视变形色调的黑白相称，对边线的虚实处理，三者共同担负着表现空间与体积的任务。","id":""}],"text":"","id":"NsWidy2uYouUaKxaEWucNEnonEb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"线和线条技法","id":""}],"text":"","id":"L8gedq8o6oog46xKKTQcuuJcn2e"},{"type":"paragraph","children":[{"type":"text","text":"素描的要素是线，但是线在实质上却是不存在的，它只代表物体、颜色和平面的边界，用来作为物体的幻觉表现。直到近代，线才被人们认为是形式的自发要素，并且独立于被描绘的物体之外。用线条来组成物体的形象，并且描绘于平面之上，藉由线条形式引起观者的联想。","id":""}],"text":"","id":"FIWIduuw2oyCsaxYXesclq1LnDh"},{"type":"paragraph","children":[{"type":"text","text":"例如两条线相交所构成的角形，可以被认为是某平面的边界；另外加上第三条线可以在画面上造成立体感。弧形的线条可以象征拱顶，交会聚集的线条可表现深度。人们可以从线条的变化当中，得到可以领会的形象。","id":""}],"text":"","id":"NMSgdK88eowKyEx2DHmcLcFQnab"},{"type":"paragraph","children":[{"type":"text","text":"用线条区分立体与平面，至于色彩明暗是为了加强和厘清整体与部分的关系。运用线条的开始，消失和中断来画出边界，并且形成平面，也可使色彩至边界而上。","id":""}],"text":"","id":"SCWkdUwIEocK8mxiU9AcBuXEnwg"},{"type":"paragraph","children":[{"type":"text","text":"线条的粗细能表现物体的变化，甚至光和影也可用线条的笔触变化表现出来，还需要平面技法的辅助。平面技法在使用炭粉笔时，在明暗对照上可用擦笔法。素描也可用多色画笔作为基本材料，用来加强素描效果以及素描的艺术性。","id":""}],"text":"","id":"WAGSdcYcGoEiSSxAFDscjosIngg"},{"type":"paragraph","children":[{"type":"text","text":"素描的要素是线，但是线在实质上却是不存在的，它只代表物体、颜色和平面的边界，用来作为物体的幻觉表现。直到近代，线才被人们认为是形式的自发要素，并且独立于被描绘的物体之外。","id":""}],"text":"","id":"VOSgdy2UUouKcCxQHOtc2sUynoe"},{"type":"paragraph","children":[{"type":"text","text":"透过线条手段，单纯的轮廓勾勒可以发展成精致的素描，这个视频讲的比较清楚","id":""},{"type":"external_link","attrs":{"url":"https://haokan.baidu.com/v?pd=wisenatural\u0026vid=2187580955371434233"},"children":[{"type":"text","text":"https://haokan.baidu.com/v?pd=wisenatural\u0026vid=2187580955371434233","id":""}],"text":"","id":""}],"text":"","id":"AumidSiWcoKW6KxA9IhcASKYnkf"},,"attrs":{"height":668,"note":[{"type":"text","text":"线和线条技法","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/68b35d09e0374f19b9f3587b7afbdda3","width":890},"text":"","id":"D8gUdOieWoKO4SxgLfkc92akntg"},{"type":"paragraph","children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","id":""}],"text":"","id":"TeWCd0wKoowwEMxGozfcrB2fnOh"},,"attrs":{"height":521,"note":[{"type":"text","text":"线和线条技法","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2bda1868859447928b7e01be87daface","width":420},"text":"","id":"WM0idS0eQoO0IIxQaIAcDUhnnkb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"明暗","id":""}],"text":"","id":"K80KdesksoSaYYxYlnacpMmonFf"},{"type":"paragraph","children":[{"type":"text","text":"明暗交界线是素描中灰面与暗面的交界，虽然名字是明暗交界“线”，但是它是由“面”组成的，由于光线以及静物本身形体的变化，明暗交界线也会有非常丰富的变化","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"PqUkdg0AKo2YQcxcB7Hcd0eXnIb"},{"type":"paragraph","children":[{"type":"text","text":"有一些静物因为形体会有很多明暗交界线，所以我们找到这些明暗交界线之后统一暗部，然后这些明暗交界线的色调也要做一个区分，靠近光源的颜色稍微要亮一些。","id":""}],"text":"","id":"YEQudyISIoOKQyxWms0cxLERnBg"},{"type":"paragraph","children":[{"type":"text","text":"结合视频讲解可以明白明暗的运用手法","id":""},{"type":"external_link","attrs":{"url":"https://www.bilibili.com/video/BV14m4y1978u/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d"},"children":[{"type":"text","text":"https://www.bilibili.com/video/BV14m4y1978u/?spm_id_from=333.337.search-card.all.click\u0026vd_source=6b26da26630111503906a454dabeb61d","id":""}],"text":"","id":""}],"text":"","id":"YoeKdKoUcoWeuAxuwSBc5XQdn6d"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"推荐书籍","id":""}],"text":"","id":"X2Q4d6OEMo2Kq2xyoSCcJ4OLnlb"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"《素描风暴》","id":""}],"text":"","id":"EGeQdyAwioIi4exi6Axc2deTnUb"},,"attrs":{"height":541,"note":[{"type":"text","text":"推荐书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/92fb9082097c4a07bb98fb3391d77f42","width":348},"text":"","id":"Eq6sdWSmgoCCMuxCGjHchzMJn4e"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"《素描的诀窍》","id":""}],"text":"","id":"CsO2dW6aOo86Ecx6dl4cS29tndc"},,"attrs":{"height":743,"note":[{"type":"text","text":"推荐书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/7fa92e7b77f049a69af53d7a4e7ef9e1","width":554},"text":"","id":"Domed6wWuoac8Qx4wlEcRSFmnYc"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"《像艺术家一样思考》","id":""}],"text":"","id":"YsQ8dQsacoO2iQx4NvmcjShVnLg"},,"attrs":{"height":444,"note":[{"type":"text","text":"推荐书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/a09df027dced4945956d521728932dae","width":360},"text":"","id":"H2iKdeemAosUegxola5cpqY6noe"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"《伯里曼人体结构绘画教学》","id":""}],"text":"","id":"K2Q0dU8AOoC0AyxEXyOcLjBrnec"},,"attrs":{"height":466,"note":[{"type":"text","text":"推荐书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/90a2f27fc9614fb3849e40ae6eab8d88","width":323},"text":"","id":"Ns4KdgGmsoiyG8xdUwPcw2Gpnec"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"Egi4dYek6oqQUMxqoRKcbbOVnXc"}]%3C%2Fhowto_content%3E

五、服装的穿搭技巧？

穿衣仅仅是用几套衣服配搭出多种穿衣方法吗？仅仅是1+1=2的简单加和吗？NO！要真正达到穿衣的精髓，真正穿出美丽，引来赞赏与回头率，就需要好好地探求一下穿衣的道理。

注意色彩搭配

色彩，是影响搭配第一印象的关键因素。掌握色彩的概念和搭配分类，至关重要哦。

一般而言，服装的色彩除了指服装的上下、里外色彩之外，还包括服饰配件（帽子、包、项链、手链等）的色彩。服装的主色调给人第一感觉，使人产生直观印象和深刻的记忆，能够充分体现穿着者的性格特征和情感。

服装色彩的搭配贵在和谐，这是一种整体效果，反映穿着者内在各个方面的有机联系。为了与不同的场合、环境、用途、个人爱好等协调，在运用服装色彩时，可通过不同的手法，比如对比与调和，来增强服装的视觉反差和韵律感，或者使之产生优雅平静的穿着效果。

应该注意，现代服装色彩美感的营造，无论是对比强烈，还是柔和素雅，都力求在色彩的组合上来实现。从服装设计的观点上来说，颜色搭配得好坏，最能表现一个人对服装鉴赏能力的高下。而我们的外表，除了对镜的一刻之外，大部分时间是由别人来欣赏评鉴的，因此，舍弃个人主观的喜好，以客观的标准来决定颜色的搭配，乃是穿衣艺术的第一要诀。

配色技巧

单色配色

生活中，服装给人的印象首先是由各类色彩构成的。单色搭配是服装配色中的重要组成部分，所形成的是具有较高的审美情趣，给人稳重、成熟的感觉，一般职业女性多选择此类搭配。

不少人都喜欢穿单色的衣服，特别是对于一些崇尚极简生活的人，更是这样。不过，即使是单色搭配，也是能搭配出花样来的；而且，在服装色彩搭配界，好的单色搭配可是最高级的一个搭配方法。

其实，对于单色搭配，对于关注时尚的人来说并不陌生；比如在很多T台走秀上，单色搭配的应用就非常多，单色搭配使看的人眼睛不累，会感觉很舒服。单色搭配选择颜色时，颜色首先要适合自己，一般以中性色为主。单色搭配时颜色单一，但是要注意衣服质感的差异。单色需凸显面料的质感、层次感，因此衣服和配饰必须选择不同质感、肌理相搭配，质感差异需大于等于3种。下面就是单色搭配的例子，供大家参考。

二色配色

二色配色能形成层次感，它是生活中最常见的配色方法。

二色配色主要通过明度、色相、纯度这3种色彩属性的变化来实现。

在二色构成的服装中，通过运用明度对比，可以使亮色更亮，暗色更暗，使服装与附件之间、上下装之间、内外装之间构成明快、活跃的气氛。由于色彩对比存在着轻、重，软、硬，冷、暖等变化，所以赋予人以忧郁、沉稳、质朴、兴奋等各种感情色彩。

运用色相对比，常构成色彩的冷暖对比。比如红色与蓝色相配时，红的更红，更偏暖；而蓝的更蓝，更偏冷，这是非常明显的冷暖对比调。而黄色与红色相配时，黄色有带橘色的感觉，形成暖调；但黄色与蓝色相配时，则形成冷暖对比调。

在运用色相对比时，色彩面积大小直接影响色调倾向，可采用大面积冷（暖）色与小面积暖（冷）进行组合。

纯度间的配色是以色彩纯度变化为主的鲜色调，含灰色调。灰色调的服装色彩的组合形式，其实就是在两种色彩中混入相同的灰色或黑色，使对比色彩具有柔和效果。

多色配色

在服装的整体色彩组合关系中，包括了诸多的因素，内衣、外套、下装、配件、首饰等，它们各有其不同的色彩特征。多色配色方法就是运用谐调、统一的原理，使不同的色彩组合在一个统一体中。

多色配色最关键的是抓住主色调。抓住主色调好比抓住一首乐曲的主旋律，设置一个最大面积的大色块或几个相同色块，然后适当配置小面积的辅助色、点缀色、调和色等，这样既突出了重点，强调了色调，又显得丰富多彩。此外，也不应忽视色彩与色彩之间的内在联系，这种联系从色调角度来考虑可以归纳为以下4种∶

1.明亮、浅色组合。适当配置少量深色或艳色，比如米黄、棕黄、深褐色。

2.暗色组合。在深色和黑色组合中适量加入少许浅色或艳色，比如深蓝、蓝黑、粉红色。

3. 中间色组合。在灰色（含各种色彩）系列中，适当配以一些深色、浅色或艳色，比如蓝灰、烟灰和淡紫色。

4. 艳色组合。纯度高的色彩中掺入少量含灰或黑白灰色彩，比如大红、室石蓝、茶色。

在选择色彩时，最好不要超过3种。

类色和类似色

同类色与类似色看似相像，其实完全不同。

同类色就是其本来面貌都是相同的，只不过由于渐次加入黑、白、灰，形成了深浅不同的色彩。比如黄色就有浅黄、黄、中黄、深黄等，红色有粉红、红、大红、深红等，这些色彩都被冠之以同类色。同类色是最单纯、最朴实的色彩关系，在服装的色彩搭配中，利用其深浅明暗的变化进行组合，能够产生协调效果。当你选色没有把握时，可优先考虑这类色彩。

色彩相貌相似的色彩被称为是类似色，好比双胞胎兄弟，不过是一种色彩，由于各自含有不同的色彩成分而产生了变化。比如红色，分别掺入适量的黄色和橘色，就形成橘黄色和橘红色，这两种色彩就是类似色，它们分别含有红色这个“基因”。其他如黄与绿、青与绿、青与紫都是类似色。

类似色的搭配效果是很柔和的，它没有强烈的对比味，所以极易搭配并很协调。

着装技巧

身型扬长避短

根据身型特点选择款式，扬长避短也是搭配很重要的作用哦。不用减肥也能有显瘦显高。

T型身材

有小肚腩

腿短搭配

搭配误区解答

多年搭配培训经验，面对很多姑娘们关于搭配技巧的提问。其中很多是搭配误区哦，总结给你们。

由浅入深，穿衣有三层境界：第一层是和谐，第二层是美感，第三层是个性。

经典很重要，时髦也很重要，但切不能忘记的是一点匠心独具的别致。

不要太注重品牌，这样往往会让你忽视了内在的东西。

绝没有所谓的流行，穿出自己的个性就是真正的流行。

优雅的衣着有温柔味道，但对于成熟的都市女子来说，最根本的是高贵和冷静。

一件品质精良的白衬衫是你衣橱中不能缺少的，没有任何衣饰比它更加能够千变万化。

场合穿搭法

搭配，不仅仅要满足喜好，符合场合需要的形象气质，也是我想分享给你们的。比起盲目的穿着时髦，穿衣风格才是最应该学的一堂课，不同的穿衣风格对应不同的场合。上班通勤，上班时间就不能太过随意，不管你从事什么行业都要有专业度，不要穿着过于休闲的服装。

尤其是破洞太大，露肩太夸张的衣服。

当然，如果你是时尚博主类的就可以。

在鞋子的搭配上要避免拖鞋，如果是今年流行的包头穆勒拖鞋可以酌情选择。

避免露出过多的皮肤，低胸装这样的衣服还是要避免，办公室尽量低调优雅。

着装尽量简单利落，如果从事金融、律师等行业，那么着装就尽量以正装为主。投资几套质感比较好的西装和衬衫，不需要太多去更替，给人以实干的印象。

当然，也可以选择套装来搭配。颜色选择黑、白、灰一定不会错，杨幂、刘涛在电视剧中的穿搭 非常适合宝宝们借鉴。

如果从事的工作氛围比较轻松，着装相对可以不那么严肃。白色，裸粉，浅蓝等，这些偏柔和的色系都可以尝试。

可以搭配一些亮色的配饰，例如包包、丝巾、首饰等等，给职业装带来一些活力。

不要穿不合身的衣服，oversize和睡衣西装虽然很流行，但真的不适合职场氛围，只会让你看起来很邋遢没有精神。

职场必备的衬衣一定要有，没有过多设计的经典款衬衫，才最适合职场，投资5、6件质感好的衬衫非常重要。职场中，穿裤装也是比较多。不管是直筒，小脚，阔腿裤都是职场利器。

记得要选择版型垂顺硬挺的，质感很重要哦。

长款的阔腿裤，可以把高跟鞋藏在里面，看起来腿又长又直。

小个子的姑娘也可以选择露出脚踝的款式。

记得要找高腰的把上衣塞进裤子里

职场裙装首选铅笔裙和直筒裙，看起来优雅得体，记得长度不要高于大腿中部噢。

出门逛街或者是外出旅行，都是你放飞自我的时间，可以选择自己喜欢的单品，任意搭配。

当然时髦单品里，也有百搭又不容易出错的。例如短夹克，短夹克这件单品本来就很显高，搭配牛仔裤就OK啦，小个子最好选择九分长度，露出脚踝。

帅气十足的短夹克，也可以和各种裙装碰撞在一起，搭配短裙，瞬间减龄哦。

对于职场女人来说，我们的形象非常重要，它永远都是走在能力前面的，所以穿搭是每天上班前必须关注的事。上班想要穿得得体又不乏味，有时候还是非常考验我们搭配功力的。

整体来说，职场穿搭，简洁利落就好，质感过关，剪裁合身，不用费力去追赶时髦，优雅知性又不乏温柔女人味就最好了，注重细节的处理，为自己的着装加分。今

款式的搭配

小西装+烟管裤

春季是非常适合穿小西装的季节，选择修身利落的小西装来搭配干练显瘦的烟管裤，分分钟穿出优雅气质范。黑色小西装，对于微胖的女生格外友好，也是经典的百搭单品，搭配浅色系衬衫或针织衫，会显得不那么高冷刻板，下装选择黑色烟管裤，整体的搭配，特别显瘦利落，是职场中最不容易出错的搭配了。

毛衣+一步裙

最近的天气特别适合穿毛衣，今年流行叠穿法，就是毛衣与衬衫叠穿起来，显得时尚了很多，也让职场穿搭变得有趣起来。灰色毛衣与暖灰色衬衫叠穿，露出衬衫的领口与衣角，增加了层次感，同色系的搭配看上去显得高级，下装选择黑色的一步裙，内敛而高雅，也温柔有女人味。

针织衫+牛仔裤

如果我们平时上班对穿搭没有特殊的要求，可以尝试下简约的针织衫与牛仔裤的搭配，舒适减龄，同时也雅致温柔。酒红色针织衬衫，热烈醒目的颜色更容易衬托出好气色，搭配简单的牛仔裤，简约而低调，给人的感觉很舒服。

衬衫+西装裤

衬衫是职场中不可或缺的单品，想要穿得得体不乏味，我们可以选择有设计感的衬衫，比如V领或飘带领的衬衫，质地也可以选择轻盈有垂坠感的雪纺，这样显得更有质感。白色飘带领雪纺衬衫搭配黑色西装裤，经典的配色，不会过时，飘带领的设计增加了优雅的味道，有些法式风的搭配。

风衣+牛仔裤

春季衣橱里一定要有一件风衣，无论是卡其色、驼色、黑色都可以，这样经典的单品怎么穿都挺有范的。风衣搭配牛仔裤，不太挑人，只要我们选择适合自己的风衣服款式就OK了。小个子女生建议选择H型的中长款风衣，不拖杳，利落简洁，显高显瘦，搭配直筒牛仔裤，简约而大气。高个子女生不妨试试廓形的长款风衣，搭配铅笔牛仔裤，走路带风的洒脱感，特别有范。

颜色的搭配

职场女生在穿搭时，颜色搭配非常重要，想要得体不乏味，我们除了经典的黑白灰搭配之外，增加一些低调高级的莫兰迪色系搭配会显得优雅温柔很多。安静沉稳的雾霾蓝衬衫搭配灰色格纹烟管裤，配色知性优雅，不浮夸，低调却显得高级，职场这样穿，显得格外气质。淡淡的樱花粉衬衫搭配米色阔腿裤，雅致减断，很女人味，也保留着一丝丝清甜的少女感，很好看。

鞋子与包包的搭配

职场中鞋子的选择要利落点，尖头小高跟是不错的选择，既显高挑精神又特别不至于特别累，鞋子的颜色要与衣服相响应，选择与某个单品同色系会带来高级感。对于职场包的选择，线条干练简约，款式板正的包包更适合，包包的大小要与身形相匹配，小个子女生不宜背大包，显得拖沓也压身高。

配饰的选择

职场穿搭要关注的细节，千万别小看配饰的选择，有时候会起到点睛之笔的。手表、耳饰、丝巾、项链可以选择1-2个来搭配组合，款式要精致而简约，这样不仅提升品味和质感，也增加了温柔女人味。

这些实用的职场搭配技巧我们可以收藏起来，掌握它，这一季会变得更加优雅有女人味哦~

男士

相较于女士，男士穿衣搭配就相对简单些。和女装不同，男生的穿搭更讲究化繁为简。那对于男人穿衣搭配来讲，需要有哪些小技巧呢?

合身的衣服是关键

对于男人来讲，也是讲究合身的衣服的，衣服是别人一眼就能看到的外在，所以，你必须穿合身的衣服。如果你穿了不合身的衣服，就算再干净，也会给你一片乱糟糟，而且脏乱的感觉。因此，在去正式的场合的时候，最好是能有几套合身的衣服用来应急，这是最最关键的，因为这不仅关乎到你的形象，有可能也关乎到你的事业和未来，以及爱情。

领带是点晴之物

想要让你的衣服出彩，或者是你的整体出彩的话，那么就好好地在领带上下功夫吧。对于男人来讲，衣服搭配合适的领带是十分关键的。我们要知道，不同的场合要用不同的花色的领带，不同样式的领带。所以男士这点也得有点儿小常识。对于在办公室里来讲，一般是系黑色的丝质的领带最好，不过这种领带不适合正式场合，因为会显得死板。如果你去文化气息较重的地方的话，最好是系点状领带，这会让人一看就有古典气息。年轻一点的人，就用点状较小的，而年龄稍长的就用点状较大的。斜纹领带也是适合年轻男士的，这种领带是白搭，任何场合都算是可以用的。一般情况下，颜色分别多以蓝黄或者是蓝红相间为妙。还有，出门在外，多用窄一些的领带哦。

衣服颜色是保障

对于穿什么颜色的衣服来讲，也是有讲究的。对于一个对自己十分了解的男人来讲，穿一些适合自己皮肤的衣服是最关键的。记得，你选择的衣服的颜色最好和你的皮肤的颜色可以吻合，互相可以有一个映衬，这样，你才会显得更加精神。所以，如果你的皮肤黑，那么就用明亮的颜色或者是浓重的颜色来搭配。如果你的皮肤稍白，那么更加适合柔和的水彩系色，或者是粉色系。记得，在选择衣服的时候，如果你不是和朋友聚会玩耍，那最好是不要穿太多颜色的衣服，而且如果想要搭配两种颜色的衣服的话，也最好是选择同一色系的比较好。还有，如果你穿了西装，那么可能会觉得太正式，这个时候，就可以选择一款比较合适的包包来点缀你。还有记得，穿衣服的时候，不要太紧身，也不要把衣服系得太紧，好象你就是一个棕子似的。

裤子衣着莫忘记

许多人觉得，上身穿得漂亮了，下身马虎点无所谓，可是实际上，这种认知是错误的。对于男人来讲，下身尤其也是女人关注的地方。所以，穿好下身裤子也是十分重要的。通常情况下，穿长度刚好到达鞋底部，又不贴到地面的那种长度的裤子。最好是穿与上身衣服的颜色有所配合的颜色的裤子。这个时候，你要搭配好颜色的皮带。记得，搭配的最佳方式是与你的皮革的颜色保持一致最为妙。因为这个，会让人有一种统一而忠情的感觉。还有就是穿西装的时候，许多男同胞容易忽略了袜子的选择。其实啊，袜子在西装的时候，也很重要的。记得，你的袜子应该到小腿的下部最为妙，因为这样的话，你交叉腿的时候，不易露出来你腿的皮肤，这样会让对方心情愉悦。休闲的时候，袜子可以尽量短。毕竟，这是一种最时下流行的穿法。

皮鞋袜子要重视

鞋子也是男人的最佳皮，尤其是皮鞋。记得，在出门的时候，不要穿那种皱巴巴的皮鞋，让人看着就肮脏而且不舒服。在出门的时候，选择一双干净的而且是平滑的鞋子出门会给你加分不少。还有，记得出门的时候，也要关注一下袜子。对于袜子来讲，尽量穿与裤子的颜色一致的袜子，而不是与鞋颜色一致的袜子。如果西服的颜色较浅，那就穿比西服的颜色深一点儿的袜子就可以了。还有，记得，穿凉鞋的时候，千万不要穿袜子，尤其是凉拖的时候。

关于季节

春秋季

最近天气开始变凉 ，初秋和晚秋的天气不同，所以整体搭配就会不一样。

初秋不算太冷，一个衬衫外套就可以解决。

晚秋偏凉，就需要穿上一些厚重的衣裳。

叠穿效果也是不错的

还有一种穿搭技巧是“上长下短”

这种穿法适合初秋和春天，不仅不会显得过于「浮夸」，也更容易突出男生的「T型」身材，在视觉上更显挺拔，有活力。

冬季

冬天男生该怎么穿，才能兼顾风度和温度呢?对于男生来说，冬天最想买的衣服想必就是大衣了，既保暖，又很有风度，搭配一件百搭的白色针织衫，再搭配一条牛仔裤，时尚又帅气。

冬天穿羽绒服是最暖和的，那些呢子外套、加厚棉衣也都没有羽绒服暖和。北方的冬天可不要小看，就算那些再喜欢讲究风度、不讲究温度的男生和女生，恐怕也要入手买一件羽绒服。外面穿着一件羽绒服，里面穿一件不太厚的毛衣或者衬衣，下面配上一条工装裤，即看不出臃肿也显得时尚！心动不如行动，没有买羽绒服的就抓紧吧！

夏季

男生夏季穿搭可以选择衬衣加短裤，另外条纹的polo衫显瘦能遮掩些身材的缺点，对于矮个子的男生则要注意上下装对比不要太悬殊。

衬衣是许多男士衣橱的必备穿搭单品。西装衬衫是再经典不过的穿搭，其实衬衣也可不搭配西装裤而选择搭配短裤，搭配短裤会让男生更显成熟。如果不喜欢简单单调的白衬衣可以选择花衬衣或者是白色衬衣当中带点图案的衬衣，这样的衬衣就比较有个性，而且穿起来会更加的年轻不死板。

着装配色

为什么同一件衣服别人穿很好看，你穿却差点感觉，那可能是你颜色没搭对。搭对颜色可以让你穿衣事半功倍。

颜色呼应原则

衣服配饰不呼应，分区明显不呼应。任选两区同色系，颜色呼应更帅气。

同色过渡原则

衣服裤子相同色，层次单一很失策。加件打底漏下摆，颜色过渡很出彩。

不超三色原则

衣服杂乱配色多，不好看是你的锅。颜色不要超3种，穿搭这块你最懂。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"穿衣仅仅是用几套衣服配搭出多种穿衣方法吗？仅仅是1+1=2的简单加和吗？NO！要真正达到穿衣的精髓，真正穿出美丽，引来赞赏与回头率，就需要好好地探求一下穿衣的道理。","id":""}],"text":"","id":"doxcnmiOc6woQ6iMMeq5Rm6yzlf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"注意色彩搭配","id":""}],"text":"","id":"doxcn0I2wYqmOkc6CUxGWFLdEge"},{"type":"paragraph","children":[{"type":"text","text":"色彩，是影响搭配第一印象的关键因素。掌握色彩的概念和搭配分类，至关重要哦。","id":""}],"text":"","id":"doxcn4egkicewouCWqyoxANsBuf"},{"type":"paragraph","children":[{"type":"text","text":"一般而言，服装的色彩除了指服装的上下、里外色彩之外，还包括服饰配件（帽子、包、项链、手链等）的色彩。服装的主色调给人第一感觉，使人产生直观印象和深刻的记忆，能够充分体现穿着者的性格特征和情感。","id":""}],"text":"","id":"doxcnsos6uY0C2S2241693CXbvf"},{"type":"paragraph","children":[{"type":"text","text":"服装色彩的搭配贵在和谐，这是一种整体效果，反映穿着者内在各个方面的有机联系。为了与不同的场合、环境、用途、个人爱好等协调，在运用服装色彩时，可通过不同的手法，比如对比与调和，来增强服装的视觉反差和韵律感，或者使之产生优雅平静的穿着效果。","id":""}],"text":"","id":"doxcn62Y6AqQEEy8OrqhvTYFIwj"},{"type":"paragraph","children":[{"type":"text","text":"应该注意，现代服装色彩美感的营造，无论是对比强烈，还是柔和素雅，都力求在色彩的组合上来实现。从服装设计的观点上来说，颜色搭配得好坏，最能表现一个人对服装鉴赏能力的高下。而我们的外表，除了对镜的一刻之外，大部分时间是由别人来欣赏评鉴的，因此，舍弃个人主观的喜好，以客观的标准来决定颜色的搭配，乃是穿衣艺术的第一要诀。","id":""}],"text":"","id":"doxcn0Q4O04wMqu4G4u8EfXgLq4"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"配色技巧","id":""}],"text":"","id":"doxcnUa4SwQayaEeO1Y3vL7gLOo"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"单色配色","id":""}],"text":"","id":"doxcn2Q8geqmuiOyk6T0jATaujd"},{"type":"paragraph","children":[{"type":"text","text":"生活中，服装给人的印象首先是由各类色彩构成的。单色搭配是服装配色中的重要组成部分，所形成的是具有较高的审美情趣，给人稳重、成熟的感觉，一般职业女性多选择此类搭配。","id":""}],"text":"","id":"doxcnwMOGOkyIQQsieyqu9qjBcc"},{"type":"paragraph","children":[{"type":"text","text":"不少人都喜欢穿单色的衣服，特别是对于一些崇尚极简生活的人，更是这样。不过，即使是单色搭配，也是能搭配出花样来的；而且，在服装色彩搭配界，好的单色搭配可是最高级的一个搭配方法。","id":""}],"text":"","id":"doxcnCcWi4cyKyQKW0GvNSHP6iH"},{"type":"paragraph","children":[{"type":"text","text":"其实，对于单色搭配，对于关注时尚的人来说并不陌生；比如在很多T台走秀上，单色搭配的应用就非常多，单色搭配使看的人眼睛不累，会感觉很舒服。单色搭配选择颜色时，颜色首先要适合自己，一般以中性色为主。单色搭配时颜色单一，但是要注意衣服质感的差异。单色需凸显面料的质感、层次感，因此衣服和配饰必须选择不同质感、肌理相搭配，质感差异需大于等于3种。","id":""},{"type":"text","text":"下面就是单色搭配的例子","id":""},{"type":"text","text":"，供大家参考。","id":""}],"text":"","id":"doxcn6AIQMYsWSasW4U3ov2bOnb"},{"type":"imageList","children":[,"attrs":{"height":450,"note":[{"type":"text","text":"单色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c3fafbddb36a4249b121a75295850f92","width":300},"text":"","id":"doxcn6uCSSgUuYqQcsbYPljp4hf"},,"attrs":{"height":413,"note":[{"type":"text","text":"单色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/9206ed19d7f346e0886ffa4305a08b44","width":300},"text":"","id":"doxcn8wYi4OIUGmgWaQFizvtOWb"}],"text":"","id":"doxcniYAoyOuswmQs2D3goHapKd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"二色配色","id":""}],"text":"","id":"doxcniYAoyOuswmQs2D3goHapKd"},{"type":"paragraph","children":[{"type":"text","text":"二色配色能形成层次感，它是生活中最常见的配色方法。","id":""}],"text":"","id":"doxcnEYa6eCwasWciI79vVn2Orf"},{"type":"paragraph","children":[{"type":"text","text":"二色配色主要通过明度、色相、纯度这3种色彩属性的变化来实现。","id":""}],"text":"","id":"doxcnomUoCgSKeqkUEHH1ARbtje"},{"type":"paragraph","children":[{"type":"text","text":"在二色构成的服装中，通过运用明度对比，可以使亮色更亮，暗色更暗，使服装与附件之间、上下装之间、内外装之间构成明快、活跃的气氛。由于色彩对比存在着轻、重，软、硬，冷、暖等变化，所以赋予人以忧郁、沉稳、质朴、兴奋等各种感情色彩。","id":""}],"text":"","id":"doxcnMguKeAw6UKA2Y72LXYzJwb"},{"type":"paragraph","children":[{"type":"text","text":"运用色相对比，常构成色彩的冷暖对比。比如红色与蓝色相配时，红的更红，更偏暖；而蓝的更蓝，更偏冷，这是非常明显的冷暖对比调。而黄色与红色相配时，黄色有带橘色的感觉，形成暖调；但黄色与蓝色相配时，则形成冷暖对比调。","id":""}],"text":"","id":"doxcn6Gi02uysmWUci4GZmPw3rg"},{"type":"paragraph","children":[{"type":"text","text":"在运用色相对比时，色彩面积大小直接影响色调倾向，可采用大面积冷（暖）色与小面积暖（冷）进行组合。","id":""}],"text":"","id":"doxcneys86m6oY64S6xRQ3aNnYe"},,"attrs":{"height":613,"note":[{"type":"text","text":"二色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/807bb822d2604f3bae251c7d8d8d1de6","width":458},"text":"","id":"doxcn4WiOiq6AAa4G618osJpELd"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnao4SYCuaQISgSmFsGrWTgf"},{"type":"paragraph","children":[{"type":"text","text":"纯度间的配色是以色彩纯度变化为主的鲜色调，含灰色调。灰色调的服装色彩的组合形式，其实就是在两种色彩中混入相同的灰色或黑色，使对比色彩具有柔和效果。","id":""}],"text":"","id":"doxcnsayEI6WMa6CqsTaIA0G0te"},,"attrs":{"height":370,"note":[{"type":"text","text":"二色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/40ea13a135914436925d9c5619f265e1","width":554},"text":"","id":"doxcniIcQyGoEAcMSorfVh5Tb9c"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnKAm0g6miGEYokLGFc6ws6c"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"多色配色","id":""}],"text":"","id":"doxcn4gCeOGymUIiMAxn8BISY0e"},{"type":"paragraph","children":[{"type":"text","text":"在服装的整体色彩组合关系中，包括了诸多的因素，内衣、外套、下装、配件、首饰等，它们各有其不同的色彩特征。多色配色方法就是运用谐调、统一的原理，使不同的色彩组合在一个统一体中。","id":""}],"text":"","id":"doxcnsU48iI6aYq8WDyFW3NR0yA"},{"type":"paragraph","children":[{"type":"text","text":"多色配色最关键的是抓住主色调。抓住主色调好比抓住一首乐曲的主旋律，设置一个最大面积的大色块或几个相同色块，然后适当配置小面积的辅助色、点缀色、调和色等，这样既突出了重点，强调了色调，又显得丰富多彩。此外，也不应忽视色彩与色彩之间的内在联系，这种联系从色调角度来考虑可以归纳为以下4种∶","id":""}],"text":"","id":"doxcnemyS0GagIkucuogoi6NQVg"},{"type":"paragraph","children":[{"type":"text","text":"1.明亮、浅色组合。适当配置少量深色或艳色，比如米黄、棕黄、深褐色。","id":""}],"text":"","id":"doxcnwgsKcwAeAUkwa2b41YUx8e"},{"type":"paragraph","children":[{"type":"text","text":"2.暗色组合。在深色和黑色组合中适量加入少许浅色或艳色，比如深蓝、蓝黑、粉红色。","id":""}],"text":"","id":"doxcn22KaUcy2OkAoaCyO2Pf15d"},{"type":"paragraph","children":[{"type":"text","text":"3. 中间色组合。在灰色（含各种色彩）系列中，适当配以一些深色、浅色或艳色，比如蓝灰、烟灰和淡紫色。","id":""}],"text":"","id":"doxcnKSO0e86CSOS8Gi88Wi7cEe"},{"type":"paragraph","children":[{"type":"text","text":"4. 艳色组合。纯度高的色彩中掺入少量含灰或黑白灰色彩，比如大红、室石蓝、茶色。","id":""}],"text":"","id":"doxcnOEemySamcqugm6ks1xhjee"},{"type":"paragraph","children":[{"type":"text","text":"在选择色彩时，最好不要超过3种。","id":""}],"text":"","id":"doxcn0I8ow8ssOkmKgTXacAPtkg"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnyK4k8eUsoowCK4hac1GHgh"},{"type":"imageList","children":[,"attrs":{"height":610,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/283a8e1c16ab47e9bc8cb51a3e9776d6","width":338},"text":"","id":"doxcni8a6C0cEC2kik7JlU5JBZc"},,"attrs":{"height":625,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3bf027cac2694245a836788888b01b16","width":352},"text":"","id":"doxcnCqsIyqO2SQe2QtHOnZGkvd"},,"attrs":{"height":625,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3bf027cac2694245a836788888b01b16","width":352},"text":"","id":"doxcnCqsIyqO2SQe2QtHOnZGkvd"},,"attrs":{"height":619,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/152c74f61c7b42e1ad0ed1f52c505b90","width":346},"text":"","id":"doxcnuMuw0sYUo4GOgHfCurPIZc"}],"text":"","id":"doxcnwcoqeaGMAeGGWq8O5kIBwb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"类色和类似色","id":""}],"text":"","id":"doxcnwcoqeaGMAeGGWq8O5kIBwb"},{"type":"paragraph","children":[{"type":"text","text":"同类色与类似色看似相像，其实完全不同。","id":""}],"text":"","id":"doxcnsGCKY4MQKIeYEsQX2KQc2m"},{"type":"paragraph","children":[{"type":"text","text":"同类色就是其本来面貌都是相同的，只不过由于渐次加入黑、白、灰，形成了深浅不同的色彩。比如黄色就有浅黄、黄、中黄、深黄等，红色有粉红、红、大红、深红等，这些色彩都被冠之以同类色。同类色是最单纯、最朴实的色彩关系，在服装的色彩搭配中，利用其深浅明暗的变化进行组合，能够产生协调效果。当你选色没有把握时，可优先考虑这类色彩。","id":""}],"text":"","id":"doxcn4cisYqmo46ocgfd3xJKTPe"},,"attrs":{"height":638,"note":[{"type":"text","text":"类色和类似色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/40fef6c7ef8e4583a035bd0a90b84880","width":554},"text":"","id":"doxcnkYs0uwGCwwcmcTyJppII9g"},{"type":"paragraph","children":[{"type":"text","text":"色彩相貌相似的色彩被称为是类似色，好比双胞胎兄弟，不过是一种色彩，由于各自含有不同的色彩成分而产生了变化。比如红色，分别掺入适量的黄色和橘色，就形成橘黄色和橘红色，这两种色彩就是类似色，它们分别含有红色这个“基因”。其他如黄与绿、青与绿、青与紫都是类似色。","id":""}],"text":"","id":"doxcnOUucamieeWkWiA56JuGKje"},{"type":"paragraph","children":[{"type":"text","text":"类似色的搭配效果是很柔和的，它没有强烈的对比味，所以极易搭配并很协调。","id":""}],"text":"","id":"doxcnISCioYA2SYiY0dHTR4xTM2"},,"attrs":{"height":628,"note":[{"type":"text","text":"类色和类似色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c24e4e2a640a4639add4790f37cca445","width":554},"text":"","id":"doxcncOqaESAAmmQSiMrNHGy2Kb"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnAcoeEKquimsQCkcbPJKC3c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"着装技巧","id":""}],"text":"","id":"doxcneUIwKUwQgkm8oVM1oVcyVh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"身","id":""},{"type":"text","text":"型扬长避短","id":""}],"text":"","id":"doxcniqWikyiawes28g9lPcZNBv"},{"type":"paragraph","children":[{"type":"text","text":"根据身型特点选择款式，扬长避短也是搭配很重要的作用哦。不用减肥也能有显瘦显高。","id":""}],"text":"","id":"doxcnoaG60EK22M2a40MjKbjcHb"},{"type":"paragraph","children":[{"type":"text","text":"T型身材","id":""}],"text":"","id":"doxcn48a6QysKIQW4RfnT38CUym"},{"type":"paragraph","children":[{"type":"text","text":" 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